The same video with an English transcript is available here.
Tag Archives: E.R. Ejército
It’s now official: renowned historian, scholar, and linguist, Señor Guillermo Gómez y Rivera, will write the foreword to my debut book, LA LAGUNA The Heart of the Philippines!
To those who do not know yet, Señor Gómez— as he is called by friends, students, admirers, and critics—is currently one of the board of directors of the prestigious Academia Filipina de la Lengua Española, the oldest state institution in the Philippines. From 1971 to 1973, he was the secretary of the National Language Committee of the Philippine Constitutional Convention. For many years, he taught Spanish language and grammar as well as Philippine History, Geography, and Philosophy of Man at Adamson University (my alma mater). In 1974, the Department of Education condecorated him for his work as a teacher and writer with the Plus Ultra Filipinas award. The next year, he won the Premio Zóbel for his play El Caserón, but primarily in recognition for his efforts in preserving the Spanish language and culture in our country. He has since been a longtime master of ceremonies for the said award-giving body until its demise in 1999. Prior to this, Señor Gómez won second place in the Premio Manuel Bernabé for an essay on the historical and nationalistic value and import of the Spanish language in the Philippines.
Señor Gómez has authored many books, among them El Conflicto de Soberanía Territorial Sobre las Islas Malvinas, Georgias, y Sándwich del Sur / The Conflict Over Territorial Sovereignty on the Malvinas, Georgias, and Sandwich Islands of the South (Manila, bilingual edition, 1984), Filipino: Origen y Connotación, y Otros Ensayos (Manila: Ediciones Solidaridad Filhispana-El Maestro, 1966), and various textbooks on Spanish grammar and history such as Español Para Todo El Mundo and Texto Para Español 4-N: La Literatura Filipina y Su Relación al Nacionalismo Filipino (both used in Adamson University and Centro Escolar University). He is also active in Filipino dance and music. He is currently an instructor of various Spanish dances, particularly flamenco (he is in fact considered as the undisputed maestro of Flamenco in the Philippines).
Aside from sharing his knowledge of Flamenco, he has made several researches on Philippine songs, dances, and costumes, especially those of Hispanic influence, which he was able to contribute to the internationally acclaimed Bayanihan Philippine National Folk Dance Company. In fact, most of the Spanish-influenced native songs and dances choreographed by the said group can trace their origins from Gómez’s researches, which earned him an advisory role for Bayanihan. He also released an LP back in 1960 when he was still the producer of La Voz Hispanofilipina, a radio program of DZRH. He made research about “lost” Filipino songs that were originally sung in Castilian during the Spanish colonization of the Philippines. He reintroduced the songs through recording. The successful LP was entitled Nostalgia Filipina. He was the one who sang in all of the songs, accompanied by the late Roberto Buena’s rondalla (on 14 August 2006, he relaunched a digitally mastered version of this album at the Instituto Cervantes de Manila through financial support from the Spanish Program for Cultural Cooperation).
In addition to his contributions to Philippine literature, culture, and history, he was also a journalist; he used to publish and edit the El Maestro magazine which served as the organ of the Corporación Nacional de Profesores Filipinos de Español, Inc., and also contributed to various newspapers, magazines, and websites (Philippine Daily Inquirer, The Philippines Free Press, Revista Filipina, etc.). Aside from the weekly newspapers The Listening Post and The Tagalog Chronicle, he also edited Nueva Era, the only existing Spanish newspaper in the Philippines in modern times (these three, owned by the late Batangueño publisher and businessman Emilio M. Ynciong, were accessible only via subscription; I used to be Señor Gómez’s editorial assistant for these papers, now out of print, from 2001 to 2003).
Señor Gómez is also an accomplished linguist and polyglot. He speaks and writes fluently in his native Hiligaynón as well as in English and Tagalog. Aside from being an acclaimed master of the Spanish language in the country, he is also conversant in Italian, Portuguese, French, Quiniráy-á, Cebuano, Hokkien, and has made an extensive study of the Chabacano and Visayan languages (he was crowned Diutay ñga Príncipe Sg Binalaybáy sa Binisayà at the age of 13).
It is a little known fact that Señor Gómez, although a Bisayà, can also be considered a Lagunense: he traces his Gómez Spanish ancestor to Pagsanján, and has many Rivera relatives in Pila.
Indeed, the writer of the book’s foreword is a virtual heavyweight compared to the lowly writer himself. But hey, I am humbled with all of this. I admit now that is difficult for me to imagine somebody else writing the foreword to my very first book. And if I’m not mistaken, this would be the fourth time that Señor Gómez will write a foreword/introduction for somebody else. The first time he did so was for multi-awarded multilingual poet Federico Espino (Premio Zóbel awardee, 1978) for his bilingual collection of poetry, Ave En Jaula Lírica / Bird in the Lyric Cage (Solidaridad Filipino-Hispana, 1970). The second was for Conchita Huerta (another Premio Zóbel awardee, 1965) for her Arroz y Sampaguitas (Ediciones Fil-Hispanas, 1972), a collection of essays and short stories. And the last he did was for Perspectives in Politics: Public and Foreign (UST Publishing House, 2005) by UNESCO Commissioner and international political analyst José David Lápuz.
This is truly a huge dream come true for me.
LA LAGUNA The Heart of the Philippines is a collaboration between the historic Provincial Government of La Laguna (Gov. E.R. Ejército) and In-Frame Media Works (Mr. Ronald Yu).
Book launching will be announced soon!
Two days ago, the Manila Times ran a rather disturbing story about a political “tug of war” that is happening in the erstwhile municipality of San Pedro in La Laguna province:
Tug of war over La Laguna town seethes
- Published on 03 April 2013
- Written by ROSELLE AQUINO CORRESPONDENTSAN PEDRO, La Laguna: Machinations by políticos and their minions seeking to carve their turf in a huge section of this highly urbanized municipality has stirred residents and old-timers into a furor.
Frantic San Pedro residents are begging Malacañang to speed up the conversion of their municipality into a city to thwart attempts at chopping off a large portion of their town.
Officers and members of the San Pedro Chamber of Commerce and Industry and Rotary Club of San Pedro, who asked not to be named for fear of political reprisal, expressed apprehensions over ongoing attempts to slice off Barangay San Vicente —a big portion of San Pedro— and convert it into another municipality.
“San Pedro has a lot of economic potentials that are waiting to be harnessed and a key to unlocking these potentials is the conversion of this booming municipality into a city,” the concerned leaders said, adding that San Pedro’s neighbors Biñán, Santa Rosa, Cabuyao, and Calambâ have turned into booming cities.
Behind the alleged move to split San Pedro into two municipalities is a group led by Vice Mayor Norvic Solidum and his erstwhile political protégé, San Vicente barangay chieftain Allan Mark Villena.
The two successfully swayed the entire Sangguniang Barangay of San Vicente to approve Barangay Resolution No. 11-33 on August 12, 2011 asking La Laguna Governor ER Ejército and the Sangguniang Panlalawigan to create the new San Vicente town. The one-page Resolution 11-33 was signed by Villena and barangay councilors Vicente Solidum, Jr., César Caísip, Vicente Facundo, Wilfredo Álvarez, Lolito Márquez, John Dell Blay, and Alfredo Flores.
Solidum and Villena then teamed up in arguing their case before the La Laguna Sangguniang Panlalawigan in a hearing on September 19, 2011. Records released by the SP legislative staff of the La Laguna SP showed that they formally presented their case to the Joint Committee on Laws and Procedures and Barangay Affairs, presided by La Laguna board member Benedicto Mario “Bong” Palacol. Also in attendance during the hearing were board members Floro Esguerra, Gab Alatiit, Rey Parás, and Juan Único.
But there is obviously no tug of war happening. Vice Mayor Norvic Solidum —if the merits and motives of Resolution 11-33 are indeed true— does not appear interested in wresting the whole of San Pedro from his rival, San Pedro Mayor Calixto “Calex” Catáquiz. He is only interested in slicing off a piece from the cake. And that tasty slice, according to the said report, is Barrio San Vicente. At 665 hectares, it is San Pedro’s second largest barrio (or barangay). Before becoming Vice Mayor, Solidum was its capitán del barrio. His brief stint as the head of that barrio must have inspired him to come up with such an ambitious plan.
Or had it?
Reading the news report further:
Homeowners associations leaders, led by Rosario Complex president Ding Latoja, and barangay leaders led by Santo Niño barangay chair Nap Islán, said that should Solidum and Villena succeed, San Pedro will not qualify as a city and would revert and be doomed to a third class municipality status.
San Pedro electorate deplored Solidum and Villena’s attempt to sabotage the town’s cityhood bid via a “backdoor move” to separate San Vicente from San Pedro.
Resolution 11-33 was filed with the La Laguna SP after La Laguna 1st District lawmaker Dan Fernández has filed on August 22, 2010 with the Committee of Local Government of the House of Representatives House Bill No. 5169 entitled “Converting the Municipality of San Pedro in the Province of La Laguna into a Component City to be known as City of San Pedro”. The filing of Resolution 11-23 was suspiciously timed to pre-empt approval by the House Committee of the bill which had scheduled a public hearing on December 2011. The Committee unanimously approved the San Pedro cityhood bill in that hearing.
San Pedro Mayor Calixto Catáquiz vehemently opposed Solidum and Villena’s proposal in a letter to the La Laguna provincial board on September 19, 2011, arguing that the Sangguniang Bayan of San Pedro was bypassed because it “was not notified and given opportunity to be heard”. The Local Government Code requires that all barangay resolutions and ordinances should be submitted to the Sanggunian for review.
Both the House and Senate has passed the cityhood measure which has been submitted to the President for enactment.
A plebiscite will be held upon the President’s approval of the bill. San Pedro’s conversion into a city is expected to further spur its development and further enhance delivery of basic social services to its people, particularly in public health, social welfare, education, employment and infrastructure.
So there. If we are to believe the veracity of this news report, then what do we San Pedrenses make of Vice Mayor Solidum?
Unfortunately for his supporters, it is difficult to doubt this news report. Aside from the fact that it’s not coming from the “Balanced News, Fearless Views” camp, the report made mention not only of the resolution number but also members of the provincial board who participated in the public hearing to hear it out. If this plan of making Barrio San Vicente as a new Lagunense municipality was merely hearsay, then Manila Times has just placed itself in the lion’s den where there are no big cats but big libel charges ready to pounce on it (that is, if Mr. Solidum is the kind of man who does not allow anyone to trample upon his dignity).
The Manila Times, however, failed to disclose the text of the controversial Solidum-Villena resolution. What was really the motive behind this wretched plan? I say wretched, because there is really no need to make San Vicente into a new town, whether its revenues are increasing or not. And if the the barrio”s internal revenues indeed have risen, then why separate it from the town matrix? Is that reason enough? What kind of greed is this? And how about the people? Walk through the streets of San Vicente and ask around; they will certainly say no to any plans of separating their beloved barrio from their beloved San Pedro.
In view of the above, I am reminded of the late National Artist Nick Joaquín’s observation regarding this immature practice of slicing up towns to create new ones:
Philippine society, as though fearing bigness, ever tends to revert the condition of the barangay of the small enclosed society. We don’t grow like a seed, we split like an amoeba. The moment a town grows big it becomes two towns. The moment a province becomes populous it disintegrates into two or three smaller provinces. The excuse offered for divisions is always the alleged difficulty of administering so huge an entity. But Philippines provinces are microscopic compared to an American state like, say, Texas, where the local government isn’t heard complaining it can’t efficiently handle so vast an area. We, on the other hand, make a confession of character whenever we split up a town or province to avoid having of cope, admitting that, on that scale, we can’t be efficient; we are capable only of the small. The decentralization and barrio-autonomy movement expresses our craving to return to the one unit of society we feel adequate to: the barangay, with its 30 to a hundred families. Anything larger intimidates. We would deliberately limit ourselves to the small performance. This attitude, an immemorial one, explains why we’re finding it so hard to become a nation, and why our pagan forefathers could not even imagine the task. Not E pluribus unum is the impulse in our culture but “Out of many, fragments”. Foreigners had to come and unite our land for us; the labor was far beyond our powers. Great was the King of Sugbú, but he couldn’t even control the tiny isle across his bay. Federation is still not even an idea for the tribes of the North; and the Moro sultanates behave like our political parties: they keep splitting off into particles.
“The moment a town grows big it becomes two towns,” Nick astutely quipped. This is especially true in San Pedro’s case. It has really been growing these past few years, so now outside forces wanted it to be split. However, San Pedro’s growth was already unstoppable; just last month, March 27, it was proclaimed a city by virtue of Republic Act No. 10420:
If Solidum still has plans of continuing his political adventurism in San Pedro, it is rather too late. San Pedro is now the newest city in the prosperous province of La Laguna.
In his campaign posters spread all over the city, Solidum proudly states: “San Pedro ang Bayan Ko, Ito ang Pinili Ko!” (San Pedro is my town, it is what I chose). It should be noted that Solidum is a native of Romblón. He is not a native San Pedrense like Mayor Calex but has been living here for about three decades already. But still, he wishes to show his adoptive people of his supposedly genuine love and concern for San Pedro. Well and good. If that is true, which at this point is highly doubtful, then why does he want San Vicente to be taken off from San Pedro’s map? Is it merely to embarrass Mayor Calex’s cityhood efforts for San Pedro? And as respect for his adoptive hometown’s history and heritage, shouldn’t Solidum instead create plans of keeping San Pedro intact and united and progressive? San Vicente has been a part of San Pedro since Spanish times. It took centuries and a time-honored history for it to bloom into a thriving San Pedrense community that it is today. And now it will take only a single (and immature) action of just one ambitious OUTSIDER to uproot it from its stronghold?
There is also speculation of a lust for power on Solidum’s part. As main petitioner, he would have automatically become mayor of San Vicente in case the divisive Resolution 11-23 has come into fruition. This is reminiscent of Nagcarlán’s case during the early 1900s. Fortunato Arbán, a municipal councilor, led two of his colleagues in filing a petition to separate the barrios of Antipolo, Entablado, Lagúan, Maytón, Paúlî, Poóc, Tuy, and Talaga to form a new municipality. Their petition was granted which gave rise to a new municipality: Rizal (of Tayak Hill fame). And as main petitioner, Arbán became its first municipal president (or town mayor). This kind of setup has also happened in other towns inside and outside of La Laguna.
Was this Solidum’s plan all along?
With the 2013 Philippine general election just a month away, Vice Mayor Solidum has a lot of explaining to do.٩(•̮̮̃•̃)۶
Incidentally, today is the fiesta of Barrio San Vicente. The barriofolk of San Vicente should have a double celebration: to honor its Spanish patron saint San Vicente Ferrer, and; of its continued status as a proud barrio/barangay of La Laguna province’s newest City of San Pedro!
Here it is, finally! The awesome music video of majestic La Laguna — my home, my province!
Congratulations to Governor E.R. Ejército and his team for featuring all the towns and cities of Provincia de La Laguna, and what the province has to offer and showcase to the country and to the rest of the globe. Never before has this kind of project been done. This endeavor will forever serve as a benchmark for tourism (and even business) promotions elsewhere.
¡Viva La Laguna: Uno Progreso… Una sa Sayá… Buhay Laguna!*
Artist: Pagsanján Mayor Girlie “Maita” Ejército
Composer: Marizen Soriano
Director: Louie Ignacio
*Theme for this year’s recently concluded La Laguna Festival 2012.
LA LAGUNA The Festival of Life 2012. Featuring photos of all the beautifully decorated booths of each town and city of the cultural-conscious province of La Laguna (only Majayjay did not participate; I still have to find out why). Each booth showcases its respective town and city’s identity — products, festivities, cottage industries, and tourist attractions. So, without further adieu, feast your eyes on these…
Congratulations to La Laguna Governor E.R. Ejército, his team, and to all Lagunenses for this splendid event!
**COconut, RAMbután, and LANzones
We often hear of celebrities, usually movie and TV actors, running for public office. And if they ever win, their acting stops there. Naturally. Their craft has no place in the higgledy-piggledy world of politics.
But Pagsanján Mayor Girlie “Maita” Ejército beats them all: she makes use of her craft that has been in the back burner for years.
Not many people today know that she used to be an actress back in the 90s. Once known as Maita Sánchez, she wasn’t as popular during that time compared to her contemporaries because she usually played minor roles, as a character actress, much like her now esteemed husband, La Laguna Governor Emilio Ramón “E.R.” Ejército (son of the late actor George Estregan and nephew of former president Joseph Estrada). She was further relegated to obscurity when she became a full-time housewife (a mother to four children), hiding under the shadows of her relatively well-known husband who, like her, played supporting roles and cameo appearances. Using various screen names from Jorge Estregan to George Estregan, Jr., Governor Ejército’s salad days in cinema wasn’t that delectable as well to moviegoers for he usually accepted roles as a notorious villain in many action films.
But it was during their later years when they achieved mainstream success albeit in a different industry. The movie villain changed his one-dimensional persona and somehow managed to make himself one of the best and efficient mayors in the entire history of Pagsanján. When his term came to an end, he ran for a higher position, winning the gubernatorial seat by a landslide in the last 2010 general election.
Governor E.R. wasn’t the only Ejército who was victorious during that election year; his wife stood tall beside him. Breaking out from obscurity, Mayora Maita (as she is fondly called nowadays) successfully snatched the mayoralty seat of the same town that her husband had administered for a full nine years (2001-2010). Aside from other duties as a public servant, she now continues various projects and programs which were started by her husband. One of these projects is the annual Bangkero Festival, a tribute to the boatmen of Pagsanján (Bumbuñgan) River.
The “Pagsanján Bangkero Festival” is held every first week of March. The Tagalog term bangkero pertains to the people whose job is to provide transportation over sea or river through a bangka (boat). Welcoming summer, every first week of March, Pagsanján, Laguna celebrates its Pagsanján Bangkero Festival and is fast becoming popular through its lined-up exciting events on both land and water such as the Palarong Bangkero, street dancing contest for students from different schools dressed in colorful costumes swaying to the upbeat music, drum and lyre band competition, choralefest cultural night, trade fair, sports events, and many more.
—From the town’s official website—
Actually, the spelling should be banquero; but what the hey, my animosity against today’s mangled orthography will have no place in this blogpost at the moment. :D) Anyway, as I was saying…
And then came last year’s multi-awarded action-art flick Manila Kingpin: The Asiong Salonga Story. Governor Ejército won not only the prestigious Best Actor’s Award in the recently concluded Star Awards for Movies last 14 March, he also inadvertently won an audience who is not in-the-know about the province he is governing whenever he is away from the glitter of showbiz (trivia: some scenes from Manila Kingpin were shot in Pagsanján).
Last month’s Bangkero Festival (March 27-31) was extra special — a music video entitled Bangkero, Lahát ay Masayá was launched during the five-day event. Created by prolific TV/music video director Louie Ignacio, the music video is another lasting tribute to the sturdy boatmen of Pagsanján River who bring excited tourists to a pulse-pounding ride of their lives to catch a once-in-a-lifetime glimpse of the world-famous Pagsanján Falls tucked deep in the forests of nearby Cavinti.
This medium is one-of-a-kind because, to the best of my memory, this is the only music video which serves as a town’s promotional material and at the same time the performing artist is none other than that town’s chief executive herself! And yes, Mayora Maita can sing, even hitting that coveted high note, her voice effortlessly joining the mellifluous yet upbeat tune that was composed by prolific songwriter Marizen Yaneza.
In the words of Ronald Yu (publisher/editor/photographer at In-Frame Media Works), this music video will serve as a for other municipalities and cities who might take that extra step to promote their respective turfs’ tourist attractions (I try to imagine Manila Mayor Alfredo Lim belching out a tune to promote Intramuros, and then I start to weep). Why, it’s not everyday that you’ll encounter your town/city mayor doing a catchy music video for the sake of their town’s local heritage.
This is simply pure genius.
Check out the awesome video below!
Artist: Pagsanján Mayor Girlie “Maita” Ejército
Composer: Marizen Yaneza
Director: Louie Ignacio
Watch out for cameo appearances of Governor E.R. Ejército and the holy image of the town’s patroness, Nuestra Señora de Guadalupe.
This music video is being blogged in celebration of LA LAGUNA The Festival of Life whose soft opening falls today. Come celebrate with us and enjoy La Laguna’s best!
Watch out for Mayora’s next video. It’s guaranteed to give you an idea of how María Maquiling looks like!
“(La) Laguna is the number one province and best place to visit, to invest in, and to live in.”
—Philippine Information Agency—