“If you just look at artwork and see what offends you, ambabaw mo (you’re shallow-minded).”
“What sick mind would think that this sacrilegious work promotes Filipino aesthetics, identity and positive cultural values?”
—Manila Rep. Amado Bagatsing—
“The point is simple: You want to denigrate imams, feel free to do so. You want to make fun of bishops, feel free to do so. But you want to denigrate Islam, or Mohammed, or the Koran, think again. You want to make fun of Christianity, Christ, or the Bible, think again.”
—Conrado de Quiros—
“It was created by law and funded by our taxes for the purpose of awakening the consciousness of our people to our cultural heritage. Is it our cultural heritage to mock and insult religious personages and icons? Is it aesthetic to vandalize a venerated representation of objects of worship and reverence? Are vulgarity and blasphemy a Filipino value? What Filipino pride can emerge for such works? Is this our national identity? And CCP promotes it?”
—Jo Imbong (Executive Director, St. Thomas More Society Inc.)—
“Emedeo Cruz (I.N.C.) Sumpain ka, Bakla” and “Bakla Parusahan Ka” (Curse you, fag. You fag, you should be punished).
—Hate messages from vandals scrawled across various parts of Cruz’s “artwork”—
My take on this issue? Arnaldo’s recent blogpost pretty much sums up my opinion about Mideo Cruz’s arrogant ignorance and phony artistry. Also, I have this funny feeling that Inquirer columnist Conrado de Quiros, although appearing to be neutral, wouldn’t have written an article regarding this controversy if not for those who vandalized Cruz’s offensive works (“You wreak that, or condone it, what does that say about your beliefs? You wreak that, or condone it, what does that say about your religion?”). In view of his past anti-Church articles, he would have let this Cruz issue go away if not for the vandals.
I wish I were a painter. Then I’d paint a picture of Carlos Celdrán, but his nose will be that of a monkey’s prick. Now let’s see how these “intellectuals” and “artists” wannabes will feel about their Dámaso idol being “criticized” through art. If they react negatively, i.e., if they just look at my artwork and see what offends them, ambabaw nilá.
Lucky he, I’m no painter.