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The perfect words to describe Mideo Cruz’s garbage

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For his somewhat immature and juvenile views regarding Philippine History, I don’t have a liking for F. Sionil José even if he’s one of the late, great Nick Joaquín‘s dearest friends. I may have a preference for José’s prose. I bought his famous Rosales novels as well as his other books, and I think they’re OK. But like I always say to other like-minded people, he’d better stick to fiction where he’s good at. Just like Ms. Bárbara González should stick to writing about the comforts of life.

But another thing that Mr. José may be good at aside from moulding fictitious characters and circumstances from his mind is art criticism. And this is what he has to say to describe Mideo Cruz’s controversial works

Sionil José calls Mideo Cruz immature, juvenile
By: Maila Ager
INQUIRER.net
2:01 pm | Tuesday, August 16th, 2011

MANILA, Philippines—National Artist for Literature Francisco Sionil José lambasted on Tuesday the controversial artwork of Mideo Cruz, who put a wooden penis on the image of Jesus Christ, saying it was not an art but an illustration that the artist was “immature” and “juvenile”

“I saw the pictures, which too many people object and I said this is not art. These pictures illustrate that the artist is immature and juvenile in his attempt to express his views,” José said in mixed English and Tagalog when he faced the Senate investigation on the controversial artwork.

“This artist is not all that good because we do it when we were kids, where you put a mustache in people… anó ba yan,” he added.

But José defended art in general, saying there was nothing “obscene” in it compared to the obscenities of corrupt officials in government.

“The obscenities in this country are the powerful Filipinos who do not do their duties, the corrupt officials, who are not responsible. These are the obscenities in our nation. There are only bad artists and bad writers,” he said, which elicited cheers and applause from the people in the hearing room.

José then called on the Cultural Center of the Philippines to be more sensitive to the definition of the art itself.

Good point. For future exhibits, how should art be defined? What are the parameters and benchmarks? Who should criticize art? These and other related questions should be answered so that in the future no more garbage will infiltrate our Cultural Center of the Philippines.

Mideo Cruz, probably mighty proud by now that he's up against Everybody's Favorite Whipping Boy (formally known as the Roman Catholic Church). But now he has earned the ire of a secular heavyweight... and a National Artist at that.

Immature. Juvenile. Probably the best, the most precise choice of words —without honestly resorting to insults— to describe Mideo Cruz’s Poleteísmo garbage.

For his age, Mr. José still has a good eye for aesthetics. So again: he’d better stick to fiction and the arts. So please, stay away from Philippine History. That would also be honoring a dearly departed friend in Nick.

Various comments from Mideo Cruz’s sick art

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“If you just look at artwork and see what offends you, ambabaw mo (you’re shallow-minded).”
Carlos Celdrán

“What sick mind would think that this sacrilegious work promotes Filipino aesthetics, identity and positive cultural values?”
Manila Rep. Amado Bagatsing

“The point is simple: You want to denigrate imams, feel free to do so. You want to make fun of bishops, feel free to do so. But you want to denigrate Islam, or Mohammed, or the Koran, think again. You want to make fun of Christianity, Christ, or the Bible, think again.”
Conrado de Quiros

“It was created by law and funded by our taxes for the purpose of awakening the consciousness of our people to our cultural heritage. Is it our cultural heritage to mock and insult religious personages and icons? Is it aesthetic to vandalize a venerated representation of objects of worship and reverence? Are vulgarity and blasphemy a Filipino value? What Filipino pride can emerge for such works? Is this our national identity? And CCP promotes it?”
Jo Imbong (Executive Director, St. Thomas More Society Inc.)—

Emedeo Cruz (I.N.C.) Sumpain ka, Bakla” and “Bakla Parusahan Ka” (Curse you, fag. You fag, you should be punished).
Hate messages from vandals scrawled across various parts of Cruz’s “artwork”—

My take on this issue? Arnaldo’s recent blogpost pretty much sums up my opinion about Mideo Cruz’s arrogant ignorance and phony artistry. Also, I have this funny feeling that Inquirer columnist Conrado de Quiros, although appearing to be neutral, wouldn’t have written an article regarding this controversy if not for those who vandalized Cruz’s offensive works (“You wreak that, or condone it, what does that say about your beliefs? You wreak that, or condone it, what does that say about your religion?”). In view of his past anti-Church articles, he would have let this Cruz issue go away if not for the vandals.

Imeldific was among the first to react against Cruz's blasphemous and offensive art. CCP, where Cruz's works were exhibited, was a product of hers.

I wish I were a painter. Then I’d paint a picture of Carlos Celdrán, but his nose will be that of a monkey’s prick. Now let’s see how these “intellectuals” and “artists” wannabes will feel about their Dámaso idol being “criticized” through art. If they react negatively, i.e., if they just look at my artwork and see what offends them, ambabaw nilá.

Lucky he, I’m no painter.

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